Tree Fern - In progress

This is the progress so far on my TIF March and Sumptuous Surfaces piece.

I stitched for hours - and then stopped to look. Now I'm not sure it is working ...yet.

I think I have too much contrast between the darker and lighter colours. Actually the lighter "whites" are quite colourful on their own - but just looked washed out here. Partly the camera photo - but it also looks like this in reality too.

I had an art teacher who said if your painting or mixed media piece wasn't working to paint it all white and start again....it's tempting, but it's not a painting, so I'll have to try something else!

I don't want to unpick too much, so I'm thinking of getting some "inbetween" shades to try and bring it together. Or may be when I add the paler areas on the left of the piece, it will just work anyway! Here's hoping...

Beautiful, but Deadly - Sumptuous Surfaces (3) - Texture

Here are my starfish so far. I have used Perle threads and beads to give an encrusted knobbly look. I am pleased with the result and think that I have got the starfishy look. I looked at lots of photos on the web to try and make them scientifically accurate.
I didn't realise that using the perle threads would make them sparkle in the light - so they look quite glamorous! Sadly you can't see this in the photo. (Maybe even beautiful, but deadly!)


The Australian CSIRO have several pictures of the real Asterias amurensis. I have tried to copy the tube feet, patterns on their back and the knobbly lumps (beads and drizzle stitches). They range in colour from creamy yellows to purple. As we are working in monotones, I have kept to yellowy/cream colours. I am also pleased that the palestrina stitch has conveniently turned up at the tips - as this is a distinguishing feature of this seastar.

The background stitches are different sizes and layers of cretan stitch and then the gaps have been filled with seed beads and
drizzle stitches and the odd french knot.

Now - what to do with the background, so that they look out of place...





This is what the real ones look like:
CSIRO picture
Museum of Victoria Picture

Starfish

I am still working on the Sumptuous Surfaces project. This is my progress to date.

I have started my edges and low relief work. My design has changed slightly - I took out my third little starfish as I realised that it wouldn't leave me any room to put in the seafloor and sea shells etc.

I've used gold organza outlined with palestrina stitch (hopefully to look like the suckers/feet under the starfish). I plan to add some stitches to show the patterns on the backs too and drizzle stitches to show the spiny bits - probably next week now.

The background is cretan stitch in crewel wool. I decided not to pull the stitches, after an experiment, as I prefered the smoothness of the standard stitch.

I'm not sure what to put around the border of the post card. I've looked at a few wools/threads - but so far none has looked right. I may have to buy something new, but I thought I'd wait until I have stitched some more.



There are some lovely pieces of work in the group and I'm really looking forward to see how everyone's work is developing next week.

As usual, life is in the time of pre-Christmas holiday madness. I am really looking forward to time off and starting the new year with a new challenge.

Long ago I realised that new year's resolutions were not for me - I usually last until the 3rd week in January! But this year I am looking forward to replacing Take A Stitch Tuesday (TAST) with Take It Further , Sharon B's new challenge. This time it is a monthly themed design challenge with weekly reports of progress.

I've a few TAST stitches yet to post and it is week 50 (already?!). But I will finish them at some point soon!

The photo is of tree bark from Darwin Botanical Garden earlier this year. Just an amazing texture...

Rockpool swirls

This is the picture of the amazing rockpool I saw near Port Stephens in New South Wales - north of Sydney.

Don't the colours and shapes sing! I love the way the seaweed floats to the surface and the shapes of the seaweed echo the sea-snail trails on the orange sandstone. You can feel the movement of the wind and water just by looking at it.

Wouldn't it make an amazing embroidery?!